Bill Porter in front of his remarkable, unusual home near Ann Arbor, MI |
There are many enjoyable aspects of organizing a major
automobile exhibition like the local Concours.
Each year I meet a large number of new enthusiastic vehicle owners. I also get acquainted with the invited
featured designer.
We started the practice of selecting a featured designer
in 2008 when retired GM chief designer and VP Wayne Cherry was invited. His appearance was followed the next year by
another highly regarded GM designer, Cadillac and Buick man Wayne Kady. In 2010 we attracted a top Ford designer,
Jack Telnack, who ended his Blue Oval career as VP of design. Virgil Exner, Jr. of South Bend joined us in
2011 and we found Chrysler and Ford vehicles designed both by Jr. and his
famous father, the late Virgil Exner, Sr.
Last year we had authors Dennis and Terri Horvath as our
featured automotive authors.
This year retired GM designer Bill Porter accepted our
invitation to be our featured designer.
A great number of Pontiac and Buick nameplates from the 70s, 80s and 90s
bear the stamp of Bill’s design touch.
All of our featured designers in the past were gifted
automotive artists, but with Bill Porter we have an automotive historian and a
walking automotive library to boot. His
resume’ lists pages of awards received, teaching positions held, lectures and
gallery talks given and slide presentations produced.
I am enthusiastically looking forward to his Friday,
August 9 evening presentation that will be offered to everyone in the community
on a first come, first serve basis.
Watch for details later.
I met Bill and his wife Patsy back in March on a bright
winter day in Whitmore Lake, a little community just north of Ann Arbor. One cannot write about the Porters without
commenting on their spectacular home built on 20-acres in the midst of farmland
and woodlots. The land was purchased in
1996, the year of his retirement from GM, while the Porters still lived in
Birmingham.
Referred by the Porter’s as a “warehouse with period
rooms,” the 13,000 square foot structure features living space, studios,
workshops and galleries, all designed by Bill to house his and Pat’s
wide-ranging collection of art and design artifacts. The new home shows brilliantly his aesthetic
take on architecture that he embraces as an artist and designer.
He shuns the use of color in the structure itself;
instead both the interior and exterior are a medley of grays and other neutral
colors, and there is an emphasis on the use of exposed metal, both inside and
out. The period rooms will each have
color schemes appropriate to their own eras.
A dominating feature of the Porter’s home is a full-size
silo with an observation deck in its top.
It is used not to store silage or corn, its traditional purpose, but as
an admittedly romantic spot to ascend and watch dramatic Michigan sunsets over
a glass of wine.
Bill and Patsy, married for 54 years, have three grown
children and three grandchildren.
Natives of Louisville, Kentucky, both are devoted, successful collectors
of Tiffany glass, early American blown glass and Mission-style furniture
(Roycroft, Stickley.)
In addition, Bill has built a very impressive and
eclectic collection of early 20th c. paintings by Michigan artists. The gallery space in their impressive home
will be hung with these works on a rotating basis.
Bill received his fine arts education from the University
of Louisville, followed by a stint in the Army.
After a brief fling as a neon sign designer, he attended Pratt Institute
to earn his Masters. It was at Pratt
that he was discovered by GM and did a summer internship in 1957 at the Warren,
Mich. Tech Center. That fortuitous appointment would lead to a 39-year career
as a top designer at GM.
His first design assignment as a junior designer at the
Tech Center was in the styling and research studio (where the Firebird I,II and
III were created.) In 1963 he was given
duties hiring new designers for the design staff. During this period he visited some 30
colleges in the country searching for the best young talent.
In 1965 Bill was
assigned to an advanced studio where he created the basic body shell that
became the 1968 LeMans/GTO. He was then
promoted to head the Pontiac Studio and oversaw the design of all Pontiac
automobiles from 1969 -1973.
During the remainder of the 1970s, Bill headed Advanced 1
studio where he created basic body shells and concept cars. Says Bill of that time, “I had a ball!”
Later his talents would be appreciated by buyers of
Buicks. He was appointed chief designer
of the Buick 1 studio in 1979. He
remained head of that studio until his 1996 retirement.
Bill has his favorite vehicles that were designed under
his watch. Right at the top is the 1970
Pontiac Firebird, especially the Trans Am model; he was strongly involved with
the development of the Firebird’s tremendously popular Trans Am model. Bill was one of the pioneers in using wind
tunnel data in the design of a vehicle.
Bill has favorite Buicks too. The final Riviera, introduced in 1995 and
discontinued in 2000, rates number one.
He is bringing his personal 1995 Riviera to the Concours.
As in past years, we hope to have 8 to 10 featured
designer – created automobiles at the Concours for the Pass in Review
event. We are seeking owners who own the
following Pontiac and Buick models: 1968-70 Tempests or GTOs, 1973 Grand Ams,
1985 Electra and 1986 or 1992 LeSabre.
I would need at least five of my car columns to
adequately disseminate Bill’s lifelong accomplishments. I recommend that readers take the time to
read more about Bill Porter by searching “Bill Porter auto designer” on the
Web. The Internet is full of Bill Porter
history and accomplishments.
Retired GM designer Bill Porter was responsible for the
creation of dozens of Pontiac and Buick automobiles over his career. One of his favorites is his last effort, the
1995 Buick Riviera. Shown here is Bill
(on the left) with a fiber-glass, non-running model of the car and Buick Interior
Studio Chief Paul Tatseos. The 1995
Riviera was intended as a 1993 model but GM financial difficulties postponed
the intro.