Dar's and Chuck's top ten beautiful and homely cars

 

I’m writing this column in the south, enjoying 70-degree temps and observing from afar the frigid and snowy weather that engulfed the Midwest just after I departed St. Joseph.

Joining me is my good friend Chuck Hassel, a fellow car nut who grew up in the Chicago area but now resides in South Carolina.  We’ve make our visit south each January to escape the colder northern climes (well, at least I do) and, more importantly, to discuss cars.   We love all kinds of cars, be they new or old.

Chuck has been ogling cars since he was a little kid.   His education includes degrees in engineering from Purdue and product design from Art Center College in California.

I showed Chuck a copy of my last week’s column about the Hemmings Classic Car editorial with Richard Lenitello’s eight ugliest cars and my reaction to his selections.   Naturally we began coming up with ugly candidates of our own.   We agreed up with our top ten list.

We also thought it would be fun to see if we could come up with a list of the ten most beautiful cars.   It was a challenge, but we did it. 

So, behold, our list of the ten homeliest (ugly seems too cruel a word) and ten most beautiful American cars ever offered.  After each vehicle selected we have added a brief remark on why it was selected:

TEN HOMELIEST VEHICLES:

            1937 - ‘39 Willys (bug-eyed headlights and a pointed snout)

1958 Buick (massive looking, a ponderous chrome-mobile)

1958 Ford (a failed attempt to duplicate the look of the new 4-place T-bird)

            1958 Oldsmobile (see 1958 Buick above)

            1958 Packard (stacked fins and tacked-on quad headlights, a sorry end to a great marque)

            1961 DeSoto (unrelated dual grille openings, clunky-looking taillight housing)

            1961 Plymouth (cabbage grater grille with Halloween headlights that scared small children)

            1980 Ford Thunderbird/Mercury Cougar (the stylist must have lost their French curve, a box was their inspiration)

            2000 – ’05 Chevrolet Monte Carlo (a crisp design that obviously sat too long in the hot sun)

            2001 – ’05 Pontiac Aztek (not sure if it’s a van or a car but not Pontiac’s best effort)

High on many automotive lists of homely cars is the overwrought 1958 Buick, shown here in the Limited series.

           

The rather scary front end styling of the 1961 Plymouth has been said to be so ugly it scared small children.  It certainly wasn't designer Virgil Exner's best efforts.

TEN BEAUTIFUL VEHICLES:

           

            1933 Pierce-Arrow Silver Arrow (one of the first American vehicles to feature breathtaking aerodynamic lines that set it apart)

1936 Cord 810/812 (Gordon Buehrig’s Cord was a styling masterpiece, radical for its time, still eye candy today)

1939 Lincoln Continental Mk 1 (One of Edsel Ford’s best efforts, providing a must-buy luxury car for the Palm Beach set)

1953 Studebaker (Studebaker stunned American car buyers with Raymond Loewy’s European inspired design)

1955 Chevrolet (featured a Ferrari grille, V-8 power and all-new body of classic simplicity)

1960 Dodge Matador/Chrysler New Yorker (perhaps Virgil Exner, Sr.’s highest achievement and his most successful fin effort)

            1961 Lincoln Continental (award winning then, still stunning to look at)

            1966 Buick Riviera (Words like elegant, graceful and sophisticated are used to describe this Dave Holl’s masterpiece)

            1970 ½ Chevrolet Camaro (in production for 11 years, the crisp, clean  Italianate pony car was a huge favorite) 

1971 Plymouth Satellite coupe (a muscular yet elegant car, it’s bold loop bumper was a perfect compliment to the athletic car)

 This photo, taken at the Concours d'Elegance of Southwest Michigan in St. Joseph, shows me standing in front of one of Studebaker's prettiest coupes ever.  The 1953 - 54 Commander coupe was designed with input from internationally known Raymond Loewy.  Most best looking car lists include this design beauty.

Above is the iconic and great looking 1961 Lincoln Continental 4-door convertible.   Considered by many to be the finest looking Lincoln ever introduced.   Wouldn't it be great if Lincoln could return to market a Town Car-like model that has the impact of this landmark luxury model.

If you don’t recall what some of our selections look like and a photo is not shown, use your computer’s search engine and type in the year and car.  Photos galore will appear to remind you just how ugly or beautiful these cars were.

Mopar heaven in north Indiana

Virgil Exner, Jr. (right) and Monte Gillespie (left)

I learned a long time ago that not everyone is crazy about automobiles on a level equal to my passion.  So when I do find an automotive kindred spirit, it is a treat indeed. 

Finding a true kindred spirit is not easy.  My first kindred spirit discovery happened back in 1964 in my junior year at Michigan State University.  On a warm spring evening I had left my dorm room open for ventilation.  Walking by was "floor-mate" Cliff Ghetti of Belvidere, New Jersey.  He, also a car nut who would go on to become a designer at Chrysler, noticed my car photos that I had taped to the dorm room wall and poked his head into my room and asked, "So, you like cars?" or something similar.  The answer was yes and we stayed up most of the night sharing car stories.  We've shared car stories ever since and remain good friends.

That special "car connection" with Cliff was my first encounter with a genuine kindred spirit.  There have been a few since, the most recent happening this past fall at the Studebaker National Museum in South Bend.  Following an afternoon symposium on automotive design in which I was invited to participate, a gentleman named Monte Gillespie came up to me and introduced himself. 

Almost immediately, Monte, an AM General retiree, and I discovered that we had a common passion for Chrysler Corporation cars; especially those designed by Virgil Exner, Sr. A kindred spirit!

I discovered that Monte not only had a passion for Exner-designed Chrysler cars, but he also owns a 1962 Dodge Polara 500 convertible - probably one of my all-time favorite vehicles.  Monte and I exchanged email addresses and as I departed I asked if he would mind if someday I could stop by and see his Polara.  I had hopes that he would bring it to the 2012 Concours d'Elegance in St. Joseph.

It wasn't until later that I realized that Monte's and my path had crossed some years back.  In 2008, when the featured car at the then-Krasl Concours was all of the Chrysler 300 letter-series models, Monte had sent an application to show his 1960 300F convertible.  Unfortunately mechanical problems prevented Monte from bringing his red "Beautiful Brute" convertible to the car show. 

As I began to plan my meeting with Monte, who lives in Granger just northeast of South Bend, it occurred to me that retired Ford designer Virgil Exner, Jr., son of Virgil, Sr. lives only a short distance away in South Bend. I knew that not only was Monte a huge fan of Virgil Exner, Sr.'s automotive design work, he also had written a number of articles on the Chrysler 300s and had accumulated a great deal of Exner Sr's memorabilia.  I wanted Virgil to meet Monte.

How great would it be if the three of us could all meet at Monte's house?  It would be a perfect trifecta moment: I would enjoy seeing a vintage Dodge and getting Virgil, Jr.'s impression of the car; Virgil would get to see a car his dad had a hand in designing and Monte would have the honor of having the son of his design idol at his house.

Virgil accepted my invitation to join me on the visit and a meeting time was set.  My expectations were high when I picked up Virgil on a sunny afternoon from his lovely home in northeast corner of South Bend.  We both were looking forward to seeing the vehicles that his dad had overseen the creation of back in the 50s and 60s. 

We were not prepared, however, for what we saw after driving down a long driveway and rounded the corner to Monte's garage.  Sitting on a concrete driveway and bathed with the late winter sun was a gloriously red and shiny 1962 Plymouth Valiant Signet 200 two-door hardtop!  I thought Virgil, Jr. would hurt himself as he hurried out of the front seat of the Neon to get a closer look.

Neither Virgil nor I had an inkling that Monte had any other cars in his collection other than his 1960 300F and the 1962 Dodge Polara 500.  It was literally a breathtaking surprise to see the Valiant, both for the son of its designer and for me - a hopelessly devoted Mopar fan.

Monte had been waiting for us and was standing by the Valiant with a big smile on his face.  He knew that the Valiant was a special and important car for the senior Exner, as it was the designer's first effort at creating a new long hood/short deck look for Chrysler vehicles following the successful finned era that had brought Chrysler such success in the mid and late 1950s.

Virgil later shared with me that he "was struck by how beautiful the Valiant still looked" after all these years.  He hadn't seen one in a long time.  He added that his dad was "anxious to do a small car" and the senior Exner was "so proud of how the Valiant had turned out."

After spending a long time walking around and admiring the Valiant, Monte then invited us to see the rest of his auto collection.   Behind the Valiant stood a large garage with multiple doors.  Behind the first door was the 1962 Dodge Polara 500 convertible.  Obviously from first glance, it is not ready for a Concours car show.  But, using needed pieces off a nearby "parts" car, he has every intention to have it ready for show in 2013.

Next to the Dodge sat a beautiful 1956 Chrysler 300B in black.  A rare car - one of only 31 built - with the stick shift.  Beside the B stood an un-restored but whole 1936 Chrysler Airflow C-9 waiting to be put together and be a fabulous addition at any vintage car show.

Then, in another nearby garage, Monte showed us his aforementioned 300F convertible, a 1957 Chrysler 300C two-door hardtop and a 1972 Imperial LeBaron two-door hardtop.

Monte's most recent automotive acquisition is a 1963 Studebaker Lark 2-door sedan.  As a devoted and frequent volunteer at the Studebaker National Museum, Monte thought he ought to have at least one Studebaker in his collection.  It awaits a minor restoration effort before being ready for show time.

Those readers who are either Mopar or Exner fans will be pleased to learn that Monte plans to bring his Valiant Signet to the Concours in St. Joseph on August 4.  Be sure to stop by and say hello.  Tell him Dar sent you.